Wednesday, November 27, 2019

Montclair Art Museum Paper



Throughout society, many people construct an identity that’ll either have society accept them or was constructed in order for that individual person to accept themselves. Constructing an identity is a way for people to live with comfort within their own skin, and it’s a part of ourselves that is shown to the public eye. Building this identity has many influences which can either be through family, peer’s, culture/race, religion, gender, sexuality, experiences, and media consumption. Within the book titled The Art of Self Invention by author Joanne Finkelstein it quoted “Much of the training for this dual and divided mentality is delivered through popular culture, and... I explore how we have become attuned to the requirements of an invented self-identity that is displayed daily through ordinary activities.” (Finkelstein pg 2) Through this quote Finkelstein states that part of our self-identity comes from the consumption of pop culture, which not only means pop culture with our environment/society but also globally. They also explain that self-identity is also created through the ordinary activities or hobbies that we perform (also going down with how we perform said activities.)The ways people present these identities to the public vary from person to person as they all express or portray themselves in different ways, and based on how that was achieved it could bring and unite them towards others. In an excerpt of The Society of the Spectacle by Guy Debord it quotes “The spectacle was born from the world’s loss of unity, and the immense expansion of the modern spectacle reveals the enormity of this loss...In the spectacle, a part of the world represents itself to the world and is superior to it. The spectacle is simply the common language of this separation. Spectators are linked solely by their one-way relationship to the very center that keeps them isolated from each other. The spectacle thus reunites the separated, but it reunites them only in their separateness.” Throughout this quote it explains the process on how people are connected through what they display (their identity). This unification however is made through one aspect of their identity, which means that not all parts of a person identity would give someone else a reason to connect with them. When visiting the Montclair Art Museum many of the artwork that was presented there illustrated what identity meant to each artist either through painting, photograph, or sculpture.  Some particular artworks that stood out to me the most were two sculptures one made by Melvin Edwards titled Mamelodi,1986 and another made by Tom Nussbaum titled Family Totem,2003-4. Melvin’s work is a black sculpture that is made up of various items such as a pair of scissors, a small thick chain, a lock, and etc. His work reflects his familiarity growth in African History as well as using the negative historical components of Black Racism, and turning it into some of the positive aspects that came out from it, such as the chain and lock not only represent slavery but also protection. This work presents these issues through the use of controversy items and the colors used for its sculpture.  
Tom’s work is a more lighthearted composition compare to Melvin’s. His work reflects the traditional totem’s used in children camps which helps further the idea that family is not the only thing that influence identity but also community/peers. Those ideas are reflected with how people who are seemed to be in a family are holding each other up, which can present the idea that with others supporting each other it can create a strong foundation for something larger. 



Three other works that stood out to me were Never Forget,1999 by Bisa Washington, Rock. Well: Radiant, Pop, Champ, 2010 by Fahamu Pecou, and Vanity Eye (Bathroom Surveillance) from Beauty Knows No Pain, or Body Beautiful,1966-72 by Martha Rosler. Within Bisa’s artwork, they created a large print that consists of 4 profile figures' having an iron mask on with then having a rooster shadows and palm hands placed between each figure. This print created a form of identity by reflecting history and race into a person's mind and trying to bring about positivity to others who faced a similar cultured history of slavery and inhuman murders.   
In comparison to BisaFahamu’s piece of art didn’t focus on presenting his identity through an historical context but more about the people who inspire us to be better; not only as a person but also through our careers as well as people who changed our views towards any general topic. That idea is reflected in his work through him referencing his work to Norman’s Rockwell’s Triple Self-Portrait as well as including a self-portrait of his inspirations on the top left corner of his painting.  

The last piece is a photomontage made by Martha which she presents a piece of a photomontage using magazine advertisements to make a statement about women in society and domestic consumption. This helps create an identity through the reason of gender/sex, which comments that depending on your gender you will be treated/reacted a certain way in society. Due to these thoughts people can so often change their gender by either being their opposing gender or being nonbinary.



Tuesday, November 12, 2019

Inspired By Barbara Kruger

Seperation


"Separation is the alpha and omega of the spectacle"

Here we go



Conform to we



The spectacle


King of Sorrow- Sade


Group 3 Summary

Group Members: Brandon, Osato, Esther, Imari

Our project was centered around Barkley L. Hendricks and Jordan Casteel. Labelled 'A Black Celebration' it showed the artists' work that honored African American men and women. The artists both worked on oil paintings, featured someone they know, and played with gaze. Apart from that, they both played with nudity. Casteel is quoted saying, "I have found that clothing on a black male body can, in fact, create a distraction for a viewer in that it comes with so many assumptions about race, class, and culture."





Barkley L Hendricks is considered one of the most distinguished alumni of the Pennsylvania Academy of fine Arts and an important voice in the history of American figurative art. He was born in April 16, 1945 and died April 18, 2017. He taught as an arts and crafts teacher with the Philadelphia Department of Recreation before he died. His work is featured in major museum collections such as the National Gallery of Art, the Philadelphia Museum of Art, and the Studio Museum in Harlem. He showcased under- represented blacks of the 1960s and 70s. His goal was to represent them as proud and dignified. Although many believed his pieces to be political, he claims they were not. 





   Jordan Casteel is also an American figurative painter. She is 30 years old. She graduated from Yale University with an MFA in 2014.  It was only in 2015 that she decided to dedicate herself more to her paintings and express the humanity in black people. She says that her aim is to make the observer understand the meaning of being black in the U.S. Additionally, she teaches at the Rutgers University. Her work explores the ideas of identity, sexuality, and also humanity. Her work is featured in museums such as the Denver Art museum, Sargent's daughters, the Studio museum, etc.

The work we chose to portray individually:




Lawdy Mama by Barkley Hendricks- This piece is of Hendricks' cousin. It was painted in 1969. He painted her in the form of a byzantine icon, which is an idol. This was also considered political but Hendricks said he was simply portraying his cousin.







Birth of the cool (Mayreh) by Barkley Hendricks- This piece was done in 1973.It Features fashion, attitude, and energy in the 70s. He described her eyes as "compelling, hypnotic, and beautiful."








Mom by Jordan Casteel- This piece is based on her mother. She did it to portray the strength of a woman.


Hamilton Cousins by Jordan Casteel- This was painted in 2015. It was a part of the 'Returnignt he gaze' series. Jordan explained that it has to do with a lack of companionship and community int he modern age.








selfie


streets is done


"Separation is itself an integral part of the unity of this world, of a global social praxis split into reality and image."

For context: Based on the Jay Z lyric from Talk up by Drake ft. HOV : "Y'all killed X, let Zimmerman live; streets is done."


NOT COOL ENOUGH

“Barbara KrugerӍš„Ã¥›¾Ã§‰‡Ã¦œÃ§´¢Ã§»“æžœ

The spectacle is the other side of money: it is the general abstract equivalent of all commodities.

Monday, November 11, 2019

Imagination



The Imagination is a tool used to help us achieve and dream the impossible. It is a starting point for something larger.

work inspired barbara kruger


The spectacle is not a collection of images; it is a social relation between people that is mediated by images.

11/12 Barbara Kruger Inspo


The quote that stood out the most to me was, "Images influence our lives and beliefs on a daily basis; advertising manufactures new desires and aspirations." Without the images we would really have no true knowledge of the trends and things society deems acceptable and not. 

Kehinde and Irene

15 words for Kehinde’s work:
Beautiful
Classical 
Spiritual 
Floral
Nature 
Confident 
Unique
Colorful
Cultured
Artistic 
Powerful
Hopeful
Influential 
Intelligence 
White dress


15 words for Irene’s selfie:
White flower
Hopeful
Modern 
Peaceful 
Beautiful
Unique
Chinese
Thoughts 
Black and white
Thoughtful
Confident
Kind
Smart
Calm
Painful 




Tuesday, November 5, 2019

Kehinde Vs Osato

Me

  1. Calm
  2. Stylish
  3. Laidback
  4. Funny
  5. Sarcastic
  6. Blessed
  7. Loving
  8. Caring
  9. Humble
  10. Smart
  11. Hopefull
  12. Adventurous 
  13. Risky
  14. Kind
  15. Understanding
Wiley


  1. Unique
  2. Artistic
  3. Intelligent
  4. Proud
  5. Creative
  6. Nostalgic
  7. Cultured
  8. Nigerian
  9. Successful
  10. Colorful
  11. Confident
  12. Renaissance
  13. Detail
  14. Inspirational
  15. Powerful

Hidden behind it all

Hidden behind it all

Wangechi Mutu, Preying Mantra, 2006, mixed media on mylar (Brooklyn Museum) 

Natalia: Layered, masked, vibrant, artistic, creative, expressive, concealed, detail-oriented, emotional, designer, burdened, caring, curious, organized, chaotic

Wangechi: Experimental, colorful, expressive, emotional, textural, layered, chaotic, detail-oriented, fantasy, collage, feminist, informative, narrator, disturbing, complicated

self vs kehinde

Kehinde Wiley:
1) vibrant
2) Reflecting
3) powerful
4) political
5) reconstruction 
6) Reclaiming
7) ironic
8) cultured
9) Change
10) bright
11) renovate
13) proud
14) Redefining
15) Beauty



Self:

1) vibrant
2) introspective
3) natural
4) free
5) liberosis 
6) perspective 
7) leader 
8) impulsive
9) passionate 
10) passive 
11) fearless 
13) unlimited 
14) bright 
15)expressive 


Kehinde and Jada





15 words for Kehinde
1. Intelligence
2.introspective
3.detailed
4.historic
5. Visual
7. Hardworking
7. Artistic
8. Storyteller
9. Cultural
10. Confident
11. Embracing
12. Interchanging
13. Powerful
14. Bold
15. Nostalgic
My 15 words
1.confident
2.bold
3. Joyous
4. Artistic
5. Storyteller
6. Fun
7. Detailed
8. Spontaneous
9 introspective
10. Ever changing
11. Poised
12. Flowing
13. Chaotic
14.peace
15. Experiencing

My Obama


15-Obama Portrait
hope, color, life, nature, serious, power pose, blackness,leaves, colorful, leadership, genuine, success, tired, adversity, peace

My 15: power, community, color, pose, leadership, diversity, collaboration, collage, life, 
success, voice, education, 
scarlet, strength, female

Alike

Kehinde Wiley:
1) Empowering
2) Self-reflecting
3) Colorful
4) Identity
5) Black Power   
6) Reclaiming
7) Versatility
8) Heroic
9) Change
10) Contrast
11) Naturalistic
13) Africa
14) Redefining
15) Beauty

Image result for kehinde wiley art



Myself:
1) Naturalistic
2) Individual
3) Creative
4) Beauty
5) Black
6) Self-aware
7) Bold
9) Humble
10) Passionate
11) Balanced
12) Resilient
13) Chill
14) Queen
15) Stressed